The Earthquake in Haiti
Los Angeles Times photojournalists

Civil Rights Photography at Skirball Museum
Extra credit paper: Instructions


JOURNALISM 2.0
(download PDF and read chapter 8, on digital photography)

Reaching out to the Homeless
L.A. Times Audio slideshow

ASSIGNMENTS
ASSIGNMENT 1: RANDOM REFLECTIONS
ASSIGNMENT 2: GENERAL/SPOT NEWS
ASSIGNMENT 3:
ENVIRONMENTAL PORTRAIT
ASSIGNMENT 4: WILD ART/FEATURES
BOOK CRITIQUE: "TRUTH NEEDS NO ALLY"
SPORTS (extra credit)

FINAL ASSIGNMENT: THE PHOTO STORY

POWERPOINT PRESENTATIONS
Angles & Lenses

Composition
Cropping & Caption writing
Depth of Field
Photojournalism (Introduction)
History of Photojournalism
Ethical Issues in Photojournalism
Law & Ethics
Lighting
The Environmental Portrait
The Photo Story
Documentary History & Philosophy
Richard Avedon's "In The American West"

NOTES
Caption writing (pdf)
Caption writing II
Composition
Editing & Cropping

PHOTOGRAPHY HISTORY VIDEO CLIPS
(Quicktime movies)
The importance of photography
Photographs as evidence/Weegee
The halftone, National Geographic & Edward Curtis
Transmitting photographs by wire
Social documentary: Lewis Hine, the FSA
Racism and the Civil Rights movement
War photography in the 20th century
Life Magazine
The Family of Man
Street photography and the anti-aesthetic of the 50s
Diane Arbus
Paul Strand and Straight Photography
Photo-Ops: photographing American presidents
Digital manipulation: ethical issues
The appropriation of images by artists and advertisers
Tabloids

Other Quicktime photojournalism video files:
Carolyn Cole (L.A. Times) in Liberia
War photography: L.A. Times in Iraq

LINKS

AIDS IN AFRICA
(photo gallery with audio by Carolyn Cole, L.A. Times)

Adobe Photoshop Tutorials
http://www.good-tutorials.com/

Magnum Photos
http://www.magnumphotos.com/c/Home_MAG.aspx

National Press Photographers Association
http://www.nppa.org/

California Press Photographers Association
http://cppaonline.org/

Press Photographers' Association of Greater
Los Angeles
http://www.ppagla.org/

Life Magazine photo files on Google
http://images.google.com/hosted/life

NEWSEUM: The Interactive Museum of News
http://www.newseum.org/

PoynterOnline: Photojournalism
http://www.poynter.org/subject.asp?id=29

American Photography: A Century of Images http://www.pbs.org/ktca/americanphotography/

  • ORGANIZATIONAL NOTES
    • Since this class only meets once per week, it is imperative that you attend class as often as possible. Remember, missing one class in this format is the same as missing an entire week of instruction in a daily class
    • All finished assignments must be submitted for class critique. Most assignments will be viewed on Flickr. Certain assignments will require PowerPoint presentations, transferred to instructor’s laptop with your USB mini-drive at the beginning of class.
    • This is a laboratory class. Although you will not be expected to adhere to a formal lab schedule, you should treat each assignment as if it came from a publication, and remember that you have a deadline to meet.The work can be completed at your discretion, though you are advised not to leave your lab work until the last minute. Lab hours for independent work will be posted.
    • Although there is a lab tech to assist you in the computer labs and darkroom, all students are expected to clean up after themselves. Common courtesy is expected, and appreciated.

    MAKE-UP ASSIGNMENTS
    As the semester progresses, your skills should improve, and you might want to re-shoot an assignment for a new grade. Simply turn in the new assignment, along with the original for a re-evaluation. Assignments that were initially turned in late can be re-shot, but any penalties (lowering of grade) still stand.

    EXTRA CREDIT
    OPTION 1: Shooting an assignment for the Daily Sundial or El Nuevo Sol earns 5 points. Must be published. Maximum of two (10 pts)

    OPTION 2: SPORTS (download details)
    Submit two action photos and one portrait of an athlete. (Maximum 10pts)

    FINAL GRADE BREAKDOWN
    A 93-100 A- 90-92
    B+ 88-89 B 83-87 B- 80-82
    C+ 78-79 C 73-77 C- 70-72
    D+ 68-69 D 63-67 D- 60-62

    PREREQUISITE
    Students must earn a `C' or better in this class in order to enroll in J450. A `C-' does not count as a `C.'

  • Student Learning Outcomes of the Undergraduate and Graduate Programs
    The Department of Journalism strives to prepare its students to become well-educated, principled citizens who are capable of initiating careers as skilled journalists, public relations practitioners and other related communication professionals. The department will help students to achieve the following objectives by the end of their program of study:

    • Attain competency in writing basics such as grammar and punctuation, word usage and spelling, sentence and story structure and journalistic style;
    • Attain competency in the gathering and critical analysis of information using such techniques as interviewing, observation and researching primary and secondary sources.
    • Acquire expertise in thinking critically and creatively, while exercising news judgment, the organization and presentation of information in multiple journalistic forms (i.e., print, visual and electronic, and public relations).
    • Develop an ethical basis for making journalistic and public relations decisions;
    • Develop flexibility in working in evolving mass communication media and environments using a variety of technologies and techniques;
    • Understand the historical, theoretical, legal and societal contexts within which journalists and public relations practitioners work.

    PLAGIARISM: DEPT. OF JOURNALISM STATEMENT
    Plagiarism and other forms of cheating will not be tolerated, and anyone caught cheating will be reported to the dean of students and will receive a failing grade in the course. For a further explanation of disciplinary procedures, consult pages 522-524 of the 2002-2004 CSUN catalog. Please also remember that much of the information posted on the Internet is protected by U.S. copyright laws. Passing this information off as your own is a violation of CSUN's plagiarism policy, and carries the penalties outlined above.

    JOUR. DEPT. POLICY STATEMENT ON CULTURAL DIVERSITY
    Students in this course are strongly encouraged to broaden their journalistic experiences, with the instructor's help, by including in their work people and subjects such as ethnic, racial and religious minorities; the elderly, disabled and poor; gay men and lesbians; and other similar groups. The intent is to ensure that student work reflects the diversity of the community.

 

     

     


J250 | J350 | J450 | J455 | MFAMA Thesis

J350

PHOTOJOURNALISM
Spring 2010
Monday 2-4:50pm MZ213
Office Hours:
MZ 326 M 12-2, T 4-5, F 10-11
Tel: (818) 677-2855
Email: david.blumenkrantz@csun.edu


LAB HOURS:
Monday 11:15 am to 1:45 p.m.
Tuesday 4:30 p.m. to 7 p.m.
Thursday 12:30 p.m. to 2:30 p.m.

Syllabus Spring 2010
Photojournalism Glossary (courtesy of Poynter)
Discussion Guide form (word document)
Model release form (word document)

Bloggenkrantz on Photography

Course Description
This course introduces the student to the basics of photojournalism. Students will aspire to create photographs consistent in quality and content with images taken for the media. The course will cover various aspects of photojournalism, including historical, ethical, legal, and artistic issues. The emphasis will be on digital photography—students who choose to shoot film can develop their own film and then scan their negatives into computers for processing with Adobe Photoshop. Students are required to use Photoshop and PowerPoint, and open a professional account on the Internet site Flickr, for the storage and presentation of their work. There will be a mix of field assignments, writings, a field trip to a photo exhibition, class discussions and lectures. The final project will be a photo essay, and students will compile a portfolio of their best work with written reflections on technical, journalistic and artistic growth.

EQUIPMENT AND SUPPLIES
Digital camera, preferably a DSLR, minimum of 6 megapixels; USB mini-drive, minimum of 512 MB.

OPTIONAL EQUIPMENT
Laptop, flash, lenses of various focal lengths, filters, motor-drive, tripod.

REQUIRED TEXTBOOKS

  • Photojournalism: The Professional’s Approach, 6th Ed., by Kenneth Kobre
  • Truth Needs No Ally, by Howard Chapnick
  • Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists

PhotoShop CS eBook is available on the lab server: students are responsible for practicing basic skills essential for enhancing and preparing their images for presentations and publication

FLICKR   http://www.flickr.com/
Each student is required to open a professional account, and establish themselves as a contact with the instructor and the rest of the students in class.

Instructor’s Flickr site: http://www.flickr.com/people/kioko/
(Add me as your contact as soon as you join Flickr)


COURSE REQUIREMENTS/ASSIGNMENTS
Final grades will be based on the following  (100 possible total points):

  • Assignments: There will be four graded assignments (10 points each). These assignments have strict deadlines, and must be posted on Flickr, in the manner specified by the instructor, by the beginning of class on the day they are due. Late assignments result in a lower grade.
  • Written paper: Book review of Truth Needs No Ally (20 pts)
  • Final Project:  Photo Essay (20 pts)
  • Final exam (20 pts) Includes both essay and multiple-choice questions on photojournalism law and ethics, history, camera operations and Photoshop functions.
  • Attendance: For each unexcused absence, 3pts will be deducted from your overall class total. For each late arrival, 1pt will be deducted. Students who leave class for lengthy, unexcused periods of time will be marked as absent.


COURSE OUTLINE AND ASSIGNMENT SCHEDULE
(pending approval of faculty furlough days)

Jan 18: MLK holiday, no class meeting.

Jan 25:
Introduction to course; syllabus, class requirements, expectations.

LECTURE: The camera: 35mm vs. digital. Introduction to Photoshop/computer lab, setting up Flickr accounts.

PowerPoint: Photojournalism

ASSIGNMENT #1: Random Reflections (final images and written work due Feb. 15)

READING (KOBRE): Digital Darkroom

Feb 1:
BRING CAMERAS TO CLASS

LAB: Photoshop demonstration/practice.

LECTURE: Elements of photography: Timing, Lighting, Composition, Proximity. Film speed (ASA); Depth of Field (shutter speed and aperture balance)

PowerPoints: Equivalent Exposures: apertures, shutter speeds and depth of field

READING (KOBRE): Chapter 1, ASSIGNMENT

Feb 8:
LECTURE: Composition, Caption Writing; Spot vs. General News

LAB: Demonstration on using PowerPoint.

DVD: Pulitzer Prize photojournalism

READING (KOBRE): Chapter 2, SPOT NEWS; Chapter 3, GENERAL NEWS

ASSIGNMENT #2: General/Spot News (due Feb. 22)

Feb 15: Critique of Random Reflections

Feb 22:
Critique of Assignment #2

LECTURE: Editing decisions (choosing which negatives/JPEGS to print)

IN-CLASS ACTIVITY: Analyzing photographs for meaning.

Mar 1:
LECTURE: Features/Wild Art

GUEST SPEAKER (to be announced)

READING (KOBRE): Chapter 4, FEATURES

Mar 8:
BRING CAMERAS TO CLASS

ASSIGNMENT #3: The Feature Photo/Wild Art (in class assignment)

Mar 15: Critique of Assignment #3

LECTURE: History of Photojournalism

READING (KOBRE) Chapter 17, HISTORY

Mar 22:
LECTURE: Environmental portraits

DVD: James Natchwey: War Photographer

ASSIGNMENT #4: The Environmental Portrait (Due Mar. 29)

READING (KOBRE) Chapter 5, PORTRAITS

Mar 29:
Critique of Assignment #4


LECTURE: The Photo Essay/Story

GUEST SPEAKER (to be announced)

FINAL ASSIGNMENT: THE PHOTO STORY (& PORTFOLIO)
The finished assignment, presented on Flickr, is due May 3.

READING (KOBRE) Chapter 11, PHOTO STORY

Apr 5: SPRING BREAK

Apr 12:
LECTURE: Discussion of ethical issues in photojournalism.

PowerPoint and Class Activity: Viewing photos of tragedies and atrocities.

READING (KOBRE) Chapter 15, ETHICS

Apr 19:
LECTURE: Legal issues in photojournalism

READING: (KOBRE) Chapter 16, LAW

Apr 26:
BRING CAMERAS TO CLASS

LECTURE: Choosing images for a portfolio; Demonstration of strobe (flash) photography.

  • Truth Needs No Ally book review due today
  • Any redone or extra credit assignments are due today

May 3:
Photo Essays: students present their own work; portfolios also due today

May 10: FINAL EXAM

 

     

 

 


 

 



© 2005 David Blumenkrantz